रविवार, 5 फ़रवरी 2012

National Conference On "Influence of the Ramayana and the Mahabharata on Indian English Litereture"

Ugc sponsered National Conference On "Influence of the Ramayana and the Mahabharata on Indian English Litereture" is scheduled on 20 and 21 Feb.at Bharati Vidyapeeth's Yashwantrao Mohite College,Pune.
Chaturvedi Swami is going to bless the Conference with his Lecture.
All are cordially invited.
here is an excerpt of editorial
"
It is needless to say that the Ramayana and the Mahabharata transcend the description of mere classics or classical literary texts. They are the very well-springs of unfailing and everlasting inspiration; they are an ever-shining beacon light for artists, writers, for the historians, for the critics and the exegesists as also for the nondescript common man in this country. We have learned our philosophy, our morality, our and ethics, our aesthetics, manners, mores and etiquette ,and as matter of fact -a whole way of life from these very writs. For the man of letters they are the fountain heads of archetypes of myth, allusion, form motif and idiom, irrespective of the mindboggling diversity of details of cultures and languages across this vast and ancient land of ours. They are our breath and lifeblood that have guided and sustained us over ages together, through our ecstasies and agonies, triumphs and failures, hopes and despairs ,and have always shown us the right way of life when emergencies emerged. The Ramayana is held as the celebration of ideals in all walks of life, and especially in human relationships, creating paragon s of personalities: parent children, father-sons, mothers-sons, husband-wives, brothers-sisters, masters-servants, guru-shishya, ruler-ruled, friendships and so forth. On the other side, the Mahabharata presents life in its stark and naked realities full of faults and foibles, avarice and animus, trickery and stratagem, duplicity and diplomacy, lust and lechery, selfishness and sacrifice, retribution and retreat, temptations and machinations, conspires and candidness, and in fact the very way humans live and love, hate and kill : warts and all, so to say.
These two epics have established living and lasting traditions that have been closely relevant to all ages and times to date. One is aware that have been closely relevant to all ages and times to date. As it is rightly said in the Mahabharata :
यदिहास्ति तदन्यत्र यन्नेहास्ति न तत् क्वचित् //(१/६२/५३)

One is aware that despite piles on piles of scholarly interpretations, critical commentaries , artistic adaptations and countless creative engagements, the two epics still remain inexhaustible , finding their reflections and refractions, imitations and images in all literatures of India ,including Indian writing in English. To explore all these reflections and engagements is an impossible venture. Even so, it is our effort to revisit the depths of these two icebergs with reference to Indian Writing in English during the present seminar. We have already approached the scholars and specialists to guide us as resource persons. All the same we are aware that many teachers of Indian writing in English in the country have their own interesting and original observations to offer.

 
The sub-themes of the seminar:

1. Reflections of characters from these classics
2. Plot structure
3. Human relationship, human psychology
4. Retelling of these epics.

5. Influences on governance, leadership and lifestyle etc.

6. Ethical and cultural foundations

7. Recreations of contemporary ethos

8. Translations and trans-creations of these epics

9. Understanding of these epics from aesthetic values

10. The Ramayana and the Mahabharata epics

11. Influence of style and language

12. Virtues and Vices: the moral and immoral standards

13. Social and political administration, family issues

14. Representations of the downtrodden

15. Controversies and intrigues
16. World-view and philosophy

 
We are very delighted to put on the record that different scholars from various states in the country have gathered together to deliberate on the relevant issues of the seminar. We have got an immense response in the form of 43 full research papers and 83 abstracts from almost every part of the country for instance, Arunachal Pradesh, Andhra Pradesh, Tamilnadu, Delhi, Karnataka, Maharashtra etc. We are equally happy that eminent resource persons have also been associated in the entire proceeding of this academic exercise.

We owe a great debt of gratitude to the warm and huge response to the present seminar. It will surely work as ‘driving force’ in the organizing of upcoming literary ventures.









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रविवार, 1 जनवरी 2012

Nirmano ke Pavan yug me.निर्माणों के पावन युगमे

निर्माणों के पावन युगमे हम चरित्र निर्माण न भूले
स्वार्थ साधना की आंधीमे वसुधा का कल्याण न ना भूले 


माना अगम अगाध सिन्धु है संघर्षो का पार नहीं है
किन्तु डूबना मजधारोमे साहस को स्वीकार नहीं है
जटिल समस्या सुलाझानेको नूतन अनुसन्धान ना  भूले 


शील विनय विनय आदर्श श्रेष्ठता  तार बिना झंकार नहीं है
शिक्षा क्या स्वर साध सकेगी ? यदि नैतिक आधार नहीं है
कीर्ति कौमुदी की गरिमा में संस्कृति का सम्मान न भूले


आविष्कारों की कृतियों में यदि मानव का प्यार नहीं है
सृजन हीन विज्ञान व्यर्थ है यदि मानव का प्यार नहीं है
भौतिकता के उत्थानोमे , जीवनका उत्थान न भूले.

it is the most  of inspiring song i ever heard.
the optimism is loaded in the song . the spiritual development is highlighted here. we shold sacrifice it for the material prosperity. The line
''भौतिकता के उत्थानोमे , जीवनका उत्थान न भूले''
is excellent one.

koi ye kaise bataye ke vo tanha kyon hai

कोई ये कैसे बताये के वो तनहा क्यों है
वो जो अपना था वो ही और किसी का क्यों है
यही दुनिया है तो ऐसी ये दुनिया क्यों है
यही होता है तो आखिर यही होता क्यों है


इक ज़रा हात बढाये तो पकड़ लेना तुम 
उसके सिने में समा जाए उसकी धड़कन
इतनी कुर्पत है तो फासला इतना क्यों है


दिले बरबाद से निकला दे अब तक कोई 
इक लूटे घर पे दिया करता है दस्तक कोई
आस जो टूट गयी फिरसे बताता क्यों है


तुम मसर्रत का कहो या इसे गमका रिश्ता 
कहते है प्यार का रिश्ता है जनमका रिश्ता 
है जनमका जो वो रिश्ता तो बदलता क्यों है.


The ideas dealt in this gazal are perennial one. The entanglements of life find its memorable utterance in it.
The gazal has been used very rightly in the film Arth by Mahesh Bhat.
we can find ''objective correlative'' for the emotions of Shabana Azmi.
utterly marvelous  

शनिवार, 31 दिसंबर 2011

some new gazals of Vaibhav Joshi.

रोज एका भाकरीचा प्रश्न आहे ;/
दु:ख हे हा नेहमीचा प्रश्न आहे ;/
बैसल्या जागीच चिंताग्रस्त सारे /
हा खरोखर काळजीचा प्रश्न आहे ;/
पायरी पाहून डोके टेकवावे /
आपुल्याही पायरीचा प्रश्न आहे ;/
काय केल्याने कळीचे फूल झाले ./
जाऊ द्याना  तो कळीचा प्रश्न आहे ;/


----------------------------------------
पुन्हा घेतली मी भरारी वगेरे/
पुन्हा सज्ज झाले शिकारी वगेरे /
खरा प्रश्न मी टाकलेलाच नाही/
तुझा मात्र चेहरा विचारी वगेरे 
बिचारच तो हा भिकारी निघाला 
मला वाटले कि पुढारी वगेरे.
अतीही सुगंधी नसावीत नाती 
पुन्हा येत जाते शिसारी वगेरे 
------------------------------------------
वैभव जोशी .


जगण्याच्या प्रत्येक कंगो-याचे  विवेचन किती सुंदर रीतीने केले आहे. 

गुरुवार, 3 नवंबर 2011

Mila Kunis, a charming new face.


I am at Abhinav Karkare's room. He is a french scholar and a struggler in the the field of translation studies.
I have been to International book Centre, Deccan where i met him.
On his P.C. i got this pic which is so inticing one.
As a student of Aesthetics i was searching the true explanation of this beautiful face only to find that " Her beauty defies (denies) explanation."
The way the flower  delicately and appropriately put up on the peak of her hairs, is so charming..
Elle est tres belle .

सोमवार, 24 अक्टूबर 2011

दीपावलीच्या सर्वांना अंत:करणपूर्वक शुभकामना.


.
महाराष्ट्राचे महान संत व कैवल्य साम्राज्य चक्रवर्ती असनारे आळंदीनिवासी माउली
आपल्या भावार्थदीपिकेत म्हणतात…

अहो दीपकळिक धाकुटी /बहु तेजाते प्रकटी/
सद्बुध्दी हे थेकुटी/ म्हणो नये.//

सद्विवेकाचा दीप व त्याची दीपकळीका जरी धाकुटी म्हणजे लहान असेल तरीही बहुतेजाचं प्रकटीकरण करणारी असते.
त्याप्रमाणे सद्बुध्दी मानसाचं जीवन प्रकाशीत करते.  माऊलींना दिवाळी या सणाचा असा गर्भितार्थ तर सांगायचा नाही ना?
 माउली पुढे म्हणतात. 

मी अविवेकाची काजळी/फेडोनी विवेकदीप ऊजळी/
ते योगीया पाहे दिवाळी /निरंतर//

विवेकाची काजळी काढून विवेकदीप उजळला कि मग निरंतर दिवाळी साजरी करता येते.

गुरुवार, 13 अक्टूबर 2011

Gazal has Lost its sonorous voice. Jagjit Singh

Our Favourite Gazal Singer Jagjit Singh is no more,
he was the man of utter dexteriy in the rendering of Uru Gazal . the credit of liberating gazal from the shackles of complex urdu and the elitist taste undoubtedly goes to him.
Let us pay homage to this miracle of music..
Tumko Dekha To ye Khayal Aya.
Jindagi Dhoop tum ghana saya.

ham jise gunguna nahi sakte
Waqt ne aisa geet kyun gaya..


M K Naik